Wolfgang Tietze | Published: September 2026 (German Original Version)
Preliminary Note:
Unmasking the Staging: A Forensic Investigation of October 7
On October 7, Hamas did not only murder in Israel; it also killed the truth. On that day, a gigantic propaganda machine was set in motion. While „journalists“ from Gaza filmed their massacres in Israel and boasted about them on social media channels, their key photographers and cameramen documented the euphoria over the alleged victory inside Gaza. They showed how hostages were tormented and dragged through the streets – and how they were brought to Gaza’s main hospital, al-Shifa Hospital, to make them disappear into the tunnels. Not a single doctor or nurse from the hospital rushed to help; they merely watched in delight from their windows.
In my article „October 7 – Hamas Hostages at al-Shifa Hospital,“ I attempted to trace the path of the hostages in Gaza using available pictures, videos, comments, and newspaper reports.
I think this was partly successful. A major obstacle was certainly the enormous amount of data that had to be reviewed, the language barriers, and the still-existing lack of knowledge about the locations. It was a time-consuming jigsaw puzzle. Much only became clear after very precise examination. And much remains open.
I spent a very, very long time on this and received hardly any support. All inquiries were ignored by both official bodies in Israel and the Israeli Embassy in Germany.
And yet I believe that I was able to shed some light for the hostages and their families during those dark hours on the morning of October 7.
This second part now delivers the crucial new findings: It shows that nothing on that day was left to chance. It links the footage into a seamless storyline and proves how meticulously the media accompaniment was planned.
The continuation of this article now names the witnesses. They are the names of those who were on site and documented the transfer of dozens of hostages to al-Shifa Hospital.
It was „journalists“ from Gaza who photographed and filmed as the hostages were brought into this hospital by their „Palestinian resistance.“ They did not help – no one helped, neither nurse nor doctor. They all watched and cheered as blood-stained hostages were dragged from vehicles into the hospital courtyard.
In the first days, they sold some of their footage primarily to media in Arab countries. But even then, they manipulated the meaning of these photos: they described the Israeli hostages as injured Palestinian civilians and concealed the location. Then they slowly made their footage disappear. Their agencies hid them on their websites. And if a photo did reach Western media, it was only with a manipulated caption. They were so sure that none of these editorial offices would bother to figure out the true meaning of the visual material.
The Witnesses
The anonymous pictures and videos that previously revealed no author are now being given their originators.
17 „journalists,“ some decorated with international awards, are the authors and originators of this visual material.
They are no longer anonymous. The pictures and videos are given a face and a name. I have been able to identify 9 „journalists“ by name so far. Some of them actively operated Hamas propaganda on Telegram.
It was no coincidence, no journalistic „being in the right place at the right time,“ but a precise preparation. When dozens of hostages are brought to a specific location like al-Shifa Hospital and a double-digit number of local, often internationally acclaimed „journalists“ with their cameras are already standing by – while in the background even a stationary camera crew with a satellite news gathering (SNG) vehicle is positioned to transmit the images directly to the world – this completely shatters the illusion of the impartial reporter. This exposes these actors not as neutral reporters, but as witnesses and accomplices who were informed in advance about the arrival and condition of the hostages, or at least were seamlessly integrated into the choreography…
Al-Shifa Hospital: The 17 Witnesses on Site – The Originators of the October 7 Footage
In the course of my research, I found 15 different photos from a total of 5 well-known Palestinian photographers from Gaza. I found these predominantly in newspaper publications, on Telegram, or on websites. I only found one photo at a photographer’s agency. I acquired this photo immediately. All other photos were predominantly published in the Arab world and outside the Western world. I found no photo when searching under the keyword „al-Shifa“.
All captions conceal the true location of the event, al-Shifa Hospital. *
*All photos of the 5 photographers used here are screenshots from publications, except for the one photo by Haitham Imad No. 04. They are not originals. The captions are taken from the respective articles and agencies.
Rizek Abduljawad (Xinhua)
Long-time photojournalist and correspondent for the Chinese news agency Xinhua in Gaza. Documented the arrival and display of hostages at al-Shifa Hospital with his camera on October 7.



„On October 7, Palestinians in Gaza City boarded an Israeli military vehicle. Xinhua News Agency (Photo by Rizek Abduljawad).“
Gaza, 7th Oct, 2023. Palestinians are seen on an Israeli military vehicle in Gaza City, Oct. 7, 2023. TO GO WITH „3rd LD: Massive rockets fired from Gaza into Israel, at least 22 Israelis killed“ Credit: Rizek Abdeljawad/Xinhua/Alamy Live News
It was distributed internationally with this caption.
Abed Abu Reash (AP)
Freelance photojournalist who regularly worked for international agencies such as Associated Press (AP). Proven to have been among the cameramen in the courtyard of al-Shifa Hospital on the morning of October 7.

„A Palestinian rides with the body of an Israeli killed by Hamas militants in a kibbutz near the Gaza Strip fence in Gaza City, Saturday, Oct. 7, 2023. (AP Photo/Abed Abu Reesh)“
Imad Haitham (EPA)
Photographer for the European Pressphoto Agency (EPA) with a long-standing presence in the Gaza Strip. Provided visual material from the direct vicinity of the arriving hostage vehicles at al-Shifa Hospital.




„Palestinians ride an Israeli military vehicle in the streets of Gaza amid a military operation launched by Hamas in southern Israel on October 7, 2023 [EPA/Haitham Imad].“
„Two years ago, Hamas attacked Israel – more than 1,200 people were killed, over 250 abducted as hostages. October 7 remains Israel’s darkest day.“
„Palestinians ride an Israeli military vehicle in the streets of Gaza amid a military operation launched by Hamas in southern Israel on October 7, 2023 [EPA/Haitham Imad]“
„Hamas published footage of captured Israeli soldiers during Operation ‚Al-Aqsa Flood'“
• Status: Exception – Directly acquired original photo from the EPA agency.
Mohammed Salem (Reuters)
Award-winning Reuters photographer whose images gained worldwide recognition. Stood in direct connection to the reporting and processes surrounding al-Shifa Hospital on October 7.




https://nabd.com/s/126095231-c928c7/نقل-متواصل-للمصابين-الفلسطينيين-الى-مجمع-الشفاء-الطبي-تصوير-محمد-سالم-روداو (Translation: „Continuous transport of injured Palestinians to the Al-Shifa Medical Complex. Photography – Mohammed Salem – Reuters, Rudaw“)
All photos were published in a gallery with this description. To disguise the actual photographer, initially only Reuters was mentioned, the name was altered, and later a digital watermark was inserted.
Mohammed Talatene (DPA)
Freelance journalist and cameraman who reported from Gaza for the German Press Agency (DPA), among others. Documented the scenes on site while hostages were brought into the hospital compound.



„Palestinians take control of an Israeli military vehicle after crossing the border fence with Israel from Jabalia in the northern Gaza Strip.“
Original caption (dpa):
„October 7, 2023, Gaza Strip: Palestinian take control of an Israeli military vehicle after crossing the border fence with Israel from Jabalia in the northern“
„Palestinians in Gaza City commandeered an Israeli military vehicle on Saturday. MOHAMMED TALATENE/ZUMA PRESS“
Osama S. Al Ashi (ARD)
Local media maker and liaison person who in this context was also connected to Western broadcasters such as ARD. Considered the head of the local network that coordinated the movements and footage at al-Shifa Hospital.
Hassouna Salim
Journalist at Al Quds and photojournalist from Gaza, closely networked with Osama Al-Ashi’s media structures. Posted preliminary screenshots of the hostage video on Telegram on the morning of October 7, even before the full material was published.
Mohammed Quandeel
Local media worker and photographer from the inner circle around Al-Ashi and Salim. Was proven to be positioned in the immediate vicinity on the morning of October 7 and documented the events photographically.
Hisham M. Alnwajha
Journalist and photographer from Gaza who operated closely with the aforementioned local media networks. Contributed to the visual documentation of the hostage-taking at the al-Shifa complex through his on-site footage.








Nameless (SNG Team / Transmission Vehicle)
Part of the stationary technical team that operated the satellite news gathering (SNG) vehicle directly at al-Shifa Hospital. Research note: Inquiries to local media companies, satellite van renters, and the journalists‘ union in Gaza remained inconclusive or were dismissed as „unknown“ – evidence of the systematic cover-up of this professional setup.

Nameless (Mobile Technical and Escort Staff)
Close employee from the direct environment of the mobile camera group. Research note: Here too, local official bodies and media organizations refuse any information to conceal the entanglement of this infrastructure in October 7.


Nameless (Cameraman on the al-Shifa Grounds)
This cameraman in a striped t-shirt films how the hostages are led out of the green military jeep 703-145.

Nameless (Cameraman and Journalist with Blue Press Vest on the al-Shifa Grounds)
This black-clad cameraman with a baseball cap, just like the journalist with the blue press vest, observed the green military jeep 703-145 with the 6 Israeli hostages.

Nameless (A Second SNG Team / Transmission Vehicle with Red „Press“ Print)
Part of a second stationary technical team that operated the satellite news gathering (SNG) vehicle directly at al-Shifa Hospital. It relieves the first team. It could be a transmission vehicle of the former ZDF partner company in Gaza.

Research note: Inquiries to local media companies, satellite van renters, and the journalists‘ union in Gaza remained inconclusive or were dismissed as „unknown“ – evidence of the systematic cover-up of this professional setup.
Nameless (Journalist with Blue Press Vest in front of the al-Shifa Grounds)
This journalist observes how the motorcycle with the body of Ran Gvili enters the driveway of al-Shifa.

Chronology of October 7
First passive, then active – The control center in the morning
The chronology of this morning does not begin with a surprising event on the street, but in an editorial control center. The investigation starts in the office premises of the media production company „Wide Media“ of Osama S. Al Ashi. The camera looks from a bird’s-eye view directly at the street scene and the entrance area of al-Shifa Hospital. In the background, the calls of the minarets echo through Gaza; it is the orchestral soundtrack for the terror of this morning. Even before the actors themselves enter the action on the street, this opening sequence captures the mood in the room and establishes the passive observation position from which the subsequent events are controlled and dissected.
The recordings show a terrifying transformation: how spectators seamlessly turn into accomplices of the media staging – first passive, then active.
„Allah is the greatest, Allah is the greatest. The Palestinian resistance is striking the occupation state…“
The complete text broadcast from the loudspeakers of the minaret reads:
„Allah is the greatest, Allah is the greatest. The Palestinian resistance is striking the occupation state, in support of the al-Aqsa Mosque, in defense of Islamic sanctuaries, as revenge for the blood of the martyrs, in defense of prisoners in the occupiers‘ prisons, and the death toll in the control operation is rising and we cannot quantify it right now.“
Hassouna Salim and Osama S. Al Ashi stare spellbound at their smartphones.
Passive: 2 men stare spellbound at their smartphones. At this moment they are still passive: they are tracking the live broadcasts of Hamas terrorists directly from Israel. The camera documents up close how those present stare spellbound at the displays where the first Telegram reports and shock images of streets and victims are making the rounds in real time. They consume the terror in real time and they publish everything on their Telegram channels simultaneously.



A crucial Facebook post by Hassouna Salim from the morning of October 7 documents the converging personnel. A camera pan leads us into the hallway of the company building. Here stand men, three of them – led by Osama S. Al-Ashi himself – in blue protective vests with the unmistakable inscription „PRESS.“ As the fourth man in the group, the photographer of this shot, Hisham M. Alnwajha is later identified.
The Turning Point: Taking Over the Live Direction:
Yet they do not remain passive observers. Together with Osama Al-Ashi (in whose office they are), they already know exactly what is happening at this point. While watching the live streams from Israel, the decision is made to continue and take over exactly this live reporting on the side of Gaza. They now know exactly what is coming their way. The group splits up strategically.

Active: The Division of Labor (Quandeel and the al-Shifa Team):
Mohammed Quandeel says goodbye and sets off in the direction of the Israeli border. His task: He acts as an advanced observer, accompanies the hostage transport part of the way, and publishes the corresponding sequences in chronological order on his Telegram account, which proves that he was not yet at al-Shifa at this time. At the same time, the main group around Osama Al-Ashi equips themselves and sets off from Wide Media with a clear goal: al-Shifa Hospital. They do not hurry there because they were surprised by a sudden event. They go there because they saw the livestream. They proactively go to the scene to receive the arrival of the Israeli victims with their cameras and start their own live broadcast.

The Black Jeep and Visual Documentation
The first intermediate sequence draws the viewer directly into the action and can be precisely located via a close-up: At a black jeep from which Naama Levy is dragged out, the scene unfolds in a surprisingly calm, professional camera work (from approx. 160 meters away from the location of the later green jeep). A professional cameraman captures the aggressive group dynamics, the shouts, and the direct escalation around the vehicle in the immediate vicinity of the al-Shifa surroundings. Parallel to this, the digital wave runs high – a preview screenshot on Telegram, published by Hassouna Salim, reflects the excitement and aggressive group dynamics of this moment in real time.

Minutes later, this black jeep is filmed on the al-Shifa grounds. Curious spectators surround the vehicle. Yellow bars are intended to conceal the true events.
The black jeep with Naama Levy and Ori Megidish here on the al-Shifa grounds.
The Green Jeep and the Nahal Oz Convoys
Before the main square is completely flooded, the camera switches to the intermediate sequence with reports from Qandeel along the way. They document the grueling transport and the mood pictures on the streets outside the center.


The pace picks up as the first striking IDF jeep with license plate 703-145 reaches the al-Shifa complex. The vehicle is surrounded in no time by a surging crowd of cheering civilians and plainclothes Hamas terrorists. Hospital staff behave passively and watch the hustle and bustle. Armed terrorists struggle to hold back the frenetic mass. Loud Allahu Akbar shouts can be heard, machine gun fire dictates this situation.
Machine gun fire dictates this situation.



Looking Inside:


Two high-resolution images additionally freeze this moment; they show, slightly offset in time but in the immediate vicinity of the jeep, the faces and chaotic energy on site.
Another photo captures one of the central scenes. A cameraman can be seen filming the reloading of the Israeli hostages into an ambulance. The enthusiasm of the spectators is palpable. An injured hostage lies on a stretcher, covered, ignored, and surrounded by fanatical supporters of Hamas terror. Hamas relentlessly directs the action on the al-Shifa grounds.


Shortly afterwards, another cluster of vehicles rolls up – at least four vehicles coming directly from the kibbutzim surrounding the Nahal Oz base. The event has long since attracted the attention of the media: A real satellite news gathering (SNG) vehicle including a permanent cameraman and editor is on site and accompanies the arrival live, as evidenced among other things by the recordings of Rizek Abdeljawad (Xinhua).
How many vehicles and hostages were driven onto the al-Shifa grounds during these 2 hours can only be guessed. The vehicles leave the hospital premises again after a short time.
The Drive Through Rimal
Camera Osama Al Ashi is ready. He is now on his way to the office. He pans further as the convoy leaves the al-Shifa grounds. The drive shifts to the Rimal district in the center of Gaza City, with a clear orientation towards the coast and the sea. A video by Osama Al-Ashi’s team captures this march: Al Ashi is in position, he knows what is coming now. The jeep and the other vehicles roll, densely packed with celebrating Palestinians united with terrorists, flanked by a flowing stream of civilian vehicles and companions lining the street.
Al Ashi is in position, he knows what is coming now.



The concluding point of this chapter is set by Osama S. Al-Ashi’s video recording of the access road to al-Shifa and Abed Abu Reash’s AP recording from the inner courtyard of the hospital: The motorcycle with the mortal remains of Ran Gvili stops, surrounded by a cheering crowd of civilians and armed men.
Al Ashi films from his office as the Israeli hostage is brought into al-Shifa Hospital.



The Seamless Connection Inwards – The CCTV Time Window (10:53 to 11:01 AM)
The digital world sounds the alarm: Via the high-reach Telegram channel „Gaza Now“ (with over 239,000 subscribers), a message goes online including a picture documenting the transport of bodies of Israeli soldiers from the contested military positions into the Gaza Strip.

Directly following this, the documentation bridges the gap from the tumultuous outdoor scenes directly into the interior of the building. Between 12:00 and 12:30 PM, Osama Al-Ashi films from his office as the motorcycle with the body of Ran Gvili (who fell in combat near Kibbutz Alumim) arrives – while the CCTV surveillance footage published by the IDF in the exact time window of 10:53 to 11:01 AM reveals the immediate continuation of these processes inside the building:
Video 1
This video shows how Nepalese hostage Bipin Joshi from Kibbutz Alumim is dragged inside.
Video 2
Thai hostage Pornasawan Sudlamai, injured by Hamas from Kibbutz Alumim, is driven in on a stretcher.
At 10:53:11 – 10:53:21 AM (CCTV Part I): The cameras in the entrance area and foyer of al-Shifa Hospital capture plainclothes, partly armed terrorists bringing two hostages inside (whether these are the very first brought into the hospital is unknown). They control the corridors and move purposefully through the hospital hallways while the medical staff reacts willingly. The separation between hospital and terror headquarters seems lifted.
At 10:55:38 – 10:56:02 AM (CCTV Part II): An injured person is maneuvered on a stretcher through the corridors and hallways, accompanied and dominated by the same armed forces that exercise control over the pathways in the building.
At 11:00:36 & 11:01:01 AM: The surveillance cameras document the subsequent phases in the hallways, thereby seamlessly closing the temporal and spatial chain between the street events and admission to the clinic wing.




Nasser Hospital in Khan Yunis: Expanding the Media Staging
Yet the further events of this October 7 also fit seamlessly into this picture. The reports by Hassan Eslaiah, Muthana Al Najjar, and their followers from Nir Oz fit into this pattern just as much as the recordings from the south of Gaza, from Khan Yunis, and Nasser Hospital. Here too, the media staging was implemented exactly according to the same scheme.
Amr Tabash, who worked for international broadcasters like BBC and Al Jazeera among others, filmed and photographed how hostages were transported through the streets of Khan Yunis. Shocking scenes accompanied these transports.
Transport of hostages through the streets of Khan Yunis.
Accompanying scenes of arrival in the south.





Tabash apparently accompanies this transport from the beginning. The journey also ends here in a medical complex – the second largest in the Gaza Strip, Nasser Hospital. Screenshots from Tabash’s Instagram account prove his timely presence on site. He documents there how incoming wounded terrorists are brought into separate areas of the clinic and also captures the transport of a hostage pictorially. Meanwhile, Tabash has deleted the majority of this material from his account.
Documentation in front of Nasser Hospital.



Another proof that hostages were also brought to Nasser Hospital is a photo published on a Telegram channel. It shows the Israeli hostage xxx.

Conclusion: The Silence of the Witnesses and Structural Entanglement
What unfolded on the morning of October 7, 2023, in the streets of Gaza, outside the gates of al-Shifa Hospital, and shortly thereafter at Nasser Hospital as well, was no blind coincidence of war, but a meticulously recorded and publicly displayed staging. The unbroken chain of evidence – from recordings at base locations to coordinated transport in jeeps to CCTV footage and reports from clinics – proves that medical facilities served as central hubs and control points of terror from the very beginning.
On-site research paints a clear picture: At al-Shifa Hospital alone, 10 named and 8 unknown „journalists“ were present. At Nasser Hospital, at least one named journalist also filmed and photographed, though an even more intensive investigation must take place here. All these examples share a common pattern: None of these journalists ever reported truthfully on the true events on site. Instead, the footage was concealed, or – if transmitted to agencies on October 7 – provided with deliberately falsified captions to obscure the true location and context.
The investigations into al-Shifa and Nasser Hospital reveal a clear system. They illustrate the fundamental importance of these clinics within Hamas strategy and prove that all participating actors were fully aware of this role. It must be concluded from this that the information from these journalists can hardly be trusted: They specifically passed on what could harm Israel and concealed the obvious. The journalists named here and their immediate environment thus acted as a willing instrument of Hamas propaganda.
At the beginning of the conflict, al-Shifa Hospital in the Rimal district formed the center of this staging before Hamas shifted its structures to the south after the IDF occupation of the north. This forensic investigation breaks years of silence, exposes the actors, and confronts the public with the reality behind Palestinian media reporting.
Concluding Remark
The Failure of the Elite, the Wall of Silence, and the State of the Information Society
My journalistic and forensic investigation of the events of October 7, 2023, and the media accompaniment at the hospitals in Gaza not only exposes the entanglements of local journalists and agency photographers on site. At the same time, it reveals a catastrophic, stubbornly concealed total failure of Israeli decision-makers in politics, military (IDF), and intelligence services who completely ignored these ready-to-march infiltration axes as documented on the 2021 Hamas planning map.
The Wall of Silence: Dealing with Clarification
Even more shocking than this initial failure, however, is the authorities‘ handling of my investigative efforts afterward. My own attempts, undertaken over months, to enter into a direct and constructive dialogue came to nothing. While contacts did occur sporadically, they invariably turned out to be a frustrating exercise in evasion and relativization. The pattern was always the same: first hesitant signals and apparent commitments on the lowest information level, followed by sudden denials that it wouldn’t work out that way after all.
Well-sounding promises and alleged hints as to whom else one could turn to followed – only to find out upon closer inspection that these were purely one-way streets or that answers were simply refused. This systematic throttling, hiding behind responsibilities, and vehement hushing up of my research paint a disturbing picture: People prefer to sweep their own failures and the uncomfortable truth under the rug rather than face reality.
A Personal Statement: The Decline of Enlightenment
I draw this bitterest conclusion today not out of a drive to gain media fame. It feeds on the painful realization that it has become almost impossible in today’s world to correct narratives once they have been put into the world. What I am experiencing is basically the creeping decline of an enlightened information society: once established, unexamined depictions solidify so massively that specifying facts and forensic evidence die away like a faint echo.
With this finding and the complete documentation submitted to the International Criminal Court (ICC), my research into the events of that day at al-Shifa is hereby irrevocably concluded.